Compare and Contrast “To Room Nineteen” and “Death by Landscape” Essay

In the short stories â€Å"To Room Nineteen† by Doris Lessing and â€Å"Death By Landscape† by Margaret Atwood, two ladies wind up disengaged from the world and the individuals around them. This paper will look into every story to show that albeit both female heroes are disconnected by their conditions, their individual reactions to their conditions are totally different. In â€Å"To Room Nineteen† Susan’s segregation is brought about by various variables: society and the time she lives in, an unfaithful spouse in a messed up marriage, and her own powerlessness to manage her troubled life. â€Å"†¦She realized he had been unfaithful due to his bleak air, and his looks at her, like hers at him: What is that I share with this individual that shields all joy from me?† (p. 871) Susan feels caught by her life and her family, and tormented by her husband’s betrayal and the information that this social standard which she should figure out how to acknowledge. In â€Å"Death via Landscape† Lois’ disengagement is from the reality she is left with no family. Her children have grown up and ventured out from home and she is a widow. This leaves her with nobody to help or care for her. â€Å"While Rob was alive, while the young men were growing up, she could imagine she didn’t hear it, this vacant space in sound. Be that as it may, presently there is not a lot left to occupy her.† (p. 35) Lois is tormented by her past instead of her present, the horrendous experience of a beloved companion vanishing has stayed with her for a long time. In the two stories the heroes share the contention of the conditions they live in - mistreatment from outside force. For Lois, she is always unable to very proceed onward from her friend’s vanishing. â€Å"She could never go up North, to Rob’s family house or to wherever with wild lakes and wild trees and the calls of loons.† (p.35) One of the main considerations of her contention is the aftereffect of her youth camp pioneer Cappie, attempting to unjustifiably censure her for the demise or vanishing of her companion Lucy: â€Å"Didn’t what? Says Cappie delicately. Didn’t what, Lois? Lois does the most exceedingly terrible thing she starts to cry. Cappie gives her a resemble a jump. She’s got what she wanted.† (p.34) Susan is confined by her own despondency and developing mental precariousness. She battles to keep up appearances and satisfy cultural hopes. â€Å"She said to Matthew in their room: I think there must be a major issue with me.† (p.875) Her significant other is no help to her and as he keeps on carrying on an issue, the separation between them increments, just as her sentiments of disconnection. Susan enlists a caretaker to maintain a strategic distance from the obligations of her family so as to attempt to get away from them. She finds a room at an unknown hotel, which she utilizes as relief yet this just enhances her sentiments of detachment and dejection. The key contrast between the two heroes is that after some time, Lois can grapple with her contention and figure out how to acknowledge it. She understands that her friend’s vanishing isn't her deficiency; the camp head basically required somebody to fault. For Cappie, having no clarification for Lucy’s vanishing is just a lot to grasp. In spite of the fact that the experience despite everything frequents her, Lois attempts to proceed onward with her life. Susan, be that as it may, succumbs to her contention. She can't adapt, when her significant other goes up against her inquiring as to whether she is having an unsanctioned romance, she can't confront the possibility of dealing with reality and truth of her life. Seeing no limit to her battles, Susan chooses to end it all in room 19. The two ladies are confined from the world and the individuals around them due to some extent to the conditions of their lives. Albeit the two situations are altogether different, they are the underlying driver of the contention of the universes where the two ladies try to expel themselves from. Each character takes an alternate way that drives eventually to the contrast among life and demise.